Universal Audio Volt 2
The interface I like enough to use as a reference point for the kind of simple, good-sounding setup I want this store to recommend.
Supplier status: sourcing the right listing.
Pipe Dreams Studio Store
This is not meant to become a wall of random dropship products. The starting point is gear from my own studio list, what I know about it, and what kind of musician I think it makes sense for.
Some of this will become directly buyable as I match it to legitimate suppliers. Until then, I would rather show “sourcing” than pretend I can fulfill something I cannot.
The interface I like enough to use as a reference point for the kind of simple, good-sounding setup I want this store to recommend.
Supplier status: sourcing the right listing.
A familiar recording interface and an obvious comparison point. I’ll match the exact generation before a buy button goes on it.
Supplier status: sourcing the right listing.
Useful mobile recording territory. I’m pinning down the exact model I want to stand behind before listing one for sale.
Supplier status: sourcing the right listing.
Simple, durable and useful on a ridiculous number of sources. Not glamorous, which is part of why it belongs here.
Supplier status: sourcing the right listing.
A practical utility mic from my real setup. This section starts with gear I actually know instead of whatever pays the best commission.
Supplier status: sourcing the right listing.
One of the utility pieces from my recording setup. Older gear can still be useful when you understand what job it is doing.
Supplier status: sourcing the right listing.
The extremely scientific testing department
If we are going to have a wish-list corner, it might as well contain some genuinely nice options. These are test candidates, not endorsements. I have not earned the right to recommend them yet.
Volt 2 versus Apollo in a real songwriter setup sounds like useful research to me.
If somebody wants to sponsor the expensive-mic experiment, I will bravely accept that responsibility.
A sensible vocal test against the mics already in the room, with the gain problem handled inside the mic.
Purely in the interest of rigorous acoustic-guitar research, obviously.
A tube-mic comparison on a warm, rough-edged male vocal would actually be a useful test.
A good candidate for the “does the expensive interface actually change the day-to-day experience?” test.
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